Yin Yoga · Back · Nervous-system · Flexibility

An Hour for the Back, in Silence — Yin Yoga class, 60 minutes

An Hour for the Back, in Silence

Five-minute holds, a bell at the end, and almost no talking

1 hour Intermediate BackNervous-systemFlexibility May 2025
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Before you go

Two hours to completely switch off

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A silent hour for the back. Katie names the pose, tells you how long, and then leaves you alone with it.

Butterfly opens for five minutes, then Half Butterfly for four a side with a minute of windshield wipers between — the wipers are there deliberately, not as filler.

Caterpillar for five minutes down the whole back body, countered with Hammock — hands behind you, hips lifted, head dropping back.

Sphinx is the centre of it, and it’s done twice: five minutes, then a minute face down with the head turned one way and that knee drawn up, then five minutes again and the same rest looking the other way. Ten minutes of backbend, broken where it needs breaking.

Reclined Twist for a full five minutes each side.

Then Corpse for ten. A singing bowl sounds near the end so you don’t have to wonder.

Six shapes in an hour. If you’ve found guided classes chatty, this is the other thing.

What you'll practice

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Common questions

What does "minimal cues" actually mean?

Katie says the name of each pose and how long you'll hold it, and then stops talking until the next one. Nothing is left for you to guess — you just don't have a voice in your ear for the five minutes in between.

Are the holds really five minutes?

Most of them. Butterfly, Caterpillar, each round of Sphinx and each side of the twist are five; Half Butterfly is four a side, with a minute of windshield wipers between the sides. Corpse is ten.

Why is Sphinx done twice?

Because ten unbroken minutes in a backbend is a lot. It's split into two five-minute rounds with a minute face-down between them — turning the head one way with that knee drawn up, then the other way after the second round, which also gives each side of the lower back a gentle release.

How will I know when to come out if she isn't talking?

She tells you the length before each hold, and in Corpse a singing bowl sounds near the end to signal it's nearly time. In between, you can watch the clock or simply trust it.

Do I need props?

No — this one is built without them. Sitting up on a cushion or block helps in Butterfly, Half Butterfly and Caterpillar if your lower back rounds hard, and sliding the elbows forward is the adjustment for Sphinx.

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A gentle reminder: Yin asks you to respect your limits, not override them. Come out of any pose that feels like pain rather than sensation, ease off if your hands tingle or a knee complains, and take your time coming out of the long holds — the body feels tender for a moment, and that passes. This practice is about taking good care of your body, never pushing it.